Updated 25 Sep 2026 · 9 min read

How to build speed without tension

The short version

Find the fastest tempo where a passage is clean and relaxed. Work there, and 4–8 BPM above it, in short bursts. The moment your shoulder climbs, your pick stroke gets bigger or notes start to smear, drop back. Speed comes from a motion you can repeat, not from suffering.

Sloppy reps teach sloppy timing. Short bursts beat twenty-minute death marches. And pain, or fatigue that changes your form, means stop.

The routine

  1. Pick a fragment of one or two bars, not a whole solo.
  2. Find your clean tempo. Call it your floor.
  3. Play three to five passes at the floor.
  4. Jump up 4–8 BPM for two to four passes.
  5. Go back to the floor and check it still feels easy.
  6. Stop while your form is still good, and move on to something else.

The idea is to practice accurately, right at the edge of what you can do, not past it. The step-by-step version is in the 1-bar metronome routine. For the research behind it, see deliberate practice and distributed practice.

Try it on this bar

One bar of 16ths, alternate picked, on two strings. The hard part is the outside string change onto the A string and back. If your upstrokes vanish or the change rushes, that's the thing to fix, not "the song".

e|--------------------------------|
B|--------------------------------|
G|--------------------------------|
D|--------------------------------|
A|--------0-0-------0-0-----------|
E|0-0-0-0-----0-0-0-----0-0-0-0-0-|
  1 e + a 2 e + a 3 e + a 4 e + a

Start at a tempo where every 16th is clear (often 60–80 BPM). Three clean passes sets your floor. Then +4 BPM for two passes, then back to the floor. If the A-string notes smear, isolate beats 2 and 3 with the string-crossing drill.

Palm muting is optional here. If you do mute, your palm has to stay put, or you're training two problems at once. Keep your stroke short, as covered in alternate picking.

Common mistakes